I went through my personal clutch bags and picked apart the favorite features of each. I then drew out the size of the clutch bag I wanted on a sketch pad.  I traced this same shape out a few times then started drawing and coloring designs onto the basic shape.  Through this, I came up with 3 clutch bags: 1 neutral combo with a geometric print, 1 bright and fun multicolor style with a repetitive allover zig zag pattern, and a third in black/white with an abstract emphasis on something that I really love – peacock feathers.

Next, I started pounding the ‘internet pavement’, contacting suppliers, manufacturers, artisan groups, and online wholesalers, until I came across a group in Peru that specializes in working with handbags on a small scale.  They were excited to take on the project and sent me samples and images of past work.  It seemed like a perfect fit.

They created samples based on the specs I sent them, and with just a few minor tweaks to the designs after reviewing that first round of samples, voilà… the first 3 styles of Pashen Collection clutch bags were born.

First the artisans make the design for the loom based on my specs, then embroider the loom, then they have to make the mold of each of the clutch bags and finally produce the bags.

One artisan was assigned to each step of the project. The artisans who worked on the final hand-production of the clutch bags, worked from home, enabling them to be available to their families while still earning a living.

The post Alpaca Wool clutch bags from Peru appeared first on Pashen.

The group of artisans is led by an American anthropologist with a heart of gold who is dedicated to helping them survive and beyond that, thrive, using dyeing and weaving skills native to where they live that have been passed down for many generations. Some of these techniques are in danger of extinction.

I first emailed the anthropologist simply asking if they would be open to talking to me about doing custom work for a project I was working on. Little did I know, that from that first message I sent on October 6, 2011, would blossom a beautiful exchange of knowledge based on technique and history related to silk weaving and dyeing and many, many conversations about tradition and style and a true love for the art of working with silks in this region. I truly learned so much and am eternally grateful for the attention, dedication and professionalism I have experienced in working with this group to create the first group of Pashen Collection ikat silk scarves.

With the anthropologist as our intermediary, acting as a director/manager on their behalf and translating back and forth, the artisans and I worked together and the result is a group of gorgeous silk scarves.

I wanted to work with natural dyes that would result in varying shades of blue and gold.

The gold/bronze color was achieved by using jack fruit.

The blue and blue/grey shades were achieved by using indigo.

The shapes I wanted to incorporate in the motifs were diamonds, hearts, arrows, and the naga serpent. I gave them direction but I also wanted them to add a bit of their own magic to each piece and they did just that.

The dyeing technique for the gold/bronze silk scarves is ikat + float weave.  The dyeing technique for the indigo pieces is ikat. Some pieces are similar but because they are hand-dyed and crafted, no two pieces are exactly alike.

The indigo silk scarves measure approximately 36 x 36 inches and can be worn as head scarves, cowled around the neck, wrapped around the waist or even wrapped around the bust (like a crop top). The gold/bronze scarves are approximately 80 x 30 inches and can be worn many different ways as well. Each and every scarf is a very special, handcrafted piece of art.

Phat spinning

Nok doing ikat

A close-up of ikat tying

Dyeing

More dyeing

Saat weaving

Indigo blue ikat scarf

Indigo blue and grey ikat scarves

Bronze/Gold ikat scarf

The post Silk scarves from Thailand appeared first on Pashen.

- Dalai Lama XIV

Over the last few years, through my work in eco fashion, I have learned that the fair trade certification process can be lengthy and costly.  Some artisan groups, cooperatives and other organizations just do not have the funds to go through the steps at this point but they have made immense efforts to change the way things are run within their group.  In other words, they abide by the principles of fair trade without having the official certification.  I have interviewed some of the leaders of these groups, visited their workshops and even checked back in from time to time and have found that they are indeed legitimately running a fair trade operation, even without the certification.

With that being said, I  know the opposite exists.  I know there are some governments (I won’t name any names) who hand out fair trade certifications like they are pieces of bubble gum, in an effort to allot these businesses a competitive edge – an opportunity to hike prices and enter an industry that is still comparably new and fresh.  Let’s set aside the fact that they are scamming consumers and focus on the fact that they are all-the-while running their business unethically with workers working arduous schedules in terrible conditions for next to nothing.

To deal with this in my search for groups to work with and because some people are just not familiar with the term “fair trade”, I have come up with various ways to explain fair trade and a list of questions about the way their businesses are run.  I have even gone so far as to change meeting times at the last minute to show up when not expected.  They may think I’m nuts for going into this topic at such length but it’s really important to me so if they want the business they will understand and deal with it.

I want to offer products that are beautiful and comfortable.  I want them to be treasured and represent a level of quality that speaks for itself.  BUT, I also want to be able to pass styles from Pashen Collection on to customers knowing that someones creative spirit went into each piece alongside my spirit and no person or living thing was harmed in the process.  My journey continues…

The post A passion for fair trade appeared first on Pashen.

This project has been a long time coming and to see finished garments in my hands that were created based on the images in my head and scribbled in my notebooks, is absolutely amazing.

It was just the first round and there are some corrections to be made but I believe hard work pays off and I am looking forward to sharing my hard work with the world.

A few snippets from the package:

The post Pieces of pashen from Peru appeared first on Pashen.

In designing my pieces, I have done a lot of research, looked at hundreds of stitch samples, and I have found myself taking a new approach in selecting stitch patterns/designs to use in each piece.

I am inspired by a countless number of things on a daily basis: the shapes of leaves and clouds, the colors in our amazing backyard sunsets, the gorgeus hues that turn up on our orchids, the colors that result when I mix paint or the way it splatters into a shape, a reflection in water, the soft and smooth feel of a piece of fabric or just the way it moves when I wear it, the list goes on and on. I post images on a cork board in my office or slip them into an inspiration book I keep. If I don’t physically have an image to post on my board or tuck in my book, I try to take pictures and catalog them in folders on my computer to go back to for reference.

I go back to the inspirational images and I look for a shape that I want to be mimicked in a stitch pattern and the brilliant artisans that are working on my samples take it from there. So far, they haven’t rejected a single challenge – in fact, they say I am pushing the boundaries of how they typically work and they are enjoying the process!

Here are some tiny sneak peeks – I can’t wait to show you more!

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